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The first entirely
photographic magazine

 

Director:
Michel Ardan 

PARIS - Times are changing, for a long time, the discretion was required for anybody who, in our countries, wanted to deal with the subject of the Obscure Cities.
But apparently, it is ancient time. More and more often, this subject is discussed openly.
As example, the café littéraire "La Maroquinerie" : They proposed us nothing less that a journey in Urbicande! The guide for this occasion was Alok Nandi , webmaster of the Urbicande site. He commented this place for us.
This constitute a great  premiere: a journey in group organized from Paris to Urbicande, it was a journey open for everybody, no needed to be member of any kind of obscure group. 
How to go trough the passage? It is still not obvious, Jean-Paul Firman explains us his technique:" We put a big screen, we aimt on it a video-projector and we flash the site. And we visit it , in company of its author, commentaries done by himself. The pleasure of a shared moment is the only reason of this unmoved journey."

This presentation is one of the events of the series "Hyperécrivains?" that proposed to visit live, literary sites made by authors dealing with problems of creation for and on the net. 

The report of the journey

This experimentation occurred Monday March 20 at 20:30 at 'La Maroquinerie' (23 rue Boyer, Paris). We asked Jean-Paul Firman to talk us about it, here are his explanations:

"Here are the latest news about the latest passage (as I know) opened to the Cities.
My attempt to enter on my own by the high ways bypass that propose this side of the web ran into dead-locks, clamping, interruptions, of the interventions of a leatory programs that increase the obscurity of the visit. Visibly, the passage is easier for some (
Peeters & Schuiten, for example.) than for others.
I contacted then Alok Nandi. Commonly, we decided to use an other method, that was (as best as I know) the first premiere of this kind: the passage of a group with a portable.
Without any connection with the web, we linked the portable of Alok Nandi to a video-projector and aims it on one wall of 'La Maroquinerie' (other journeys to other sites, during the passed year, showed us that a big screen was rather a constrain, or at least an useless complication. And with the direct link on the internet, it run into dead-locks, clamping, interruptions, load breaks & other interventions of the hazard law and the hosting together).
The passage opened without difficulties neither incidents. It allowed us to verify that 'La Maroquinerie' was indeed a bridge to the Obscure Cities, and that for a certain time, because some doors that opened us corresponded to certain state of the site Urbicande that are not in line anymore.
But the obscure temporality isn't exactly our, as we all know, since in return it was possible to see certain parts of the site that, in the state of project, are not accessible to the non-initiate .
In a bit less that one hour, we could fly over the obscure side, in a superficial way, that gave good overview for who it was the first visit, and that allowed to the familiars to evoke the future of the Cities, and specifically the experimentation of Louvain-La-Neuve.
We came back more especially happy as we carefully marked the place & the passage process, and that we won't have any problem to try it again in the heart of the XXe ward.
"